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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”陌陌影视陌陌影视樱花影院6080影院探秘金刚塔血战墓碑镇重案行动之限时拯救（国语版）Specialist特别篇极致中国花朝秋月夜爱在天际能帮就帮冲击波七十二家房客第十四部面对巨人守护解放西第五季我们这一家上一当喜剧的阴谋格拉夫斯第二季范马刃牙第二季薰衣草的香新百战天龙第四季犯罪大师“炼”爱Goodbye 以谎言开端的人生喜剧龙在江湖（粤语版）绝不放过你警察故事4：简单任务粤语让我来告诉你逃灵噬影丧门神鲍旭
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”陌陌影视陌陌影视樱花影院6080影院探秘金刚塔血战墓碑镇重案行动之限时拯救（国语版）Specialist特别篇极致中国花朝秋月夜爱在天际能帮就帮冲击波七十二家房客第十四部面对巨人守护解放西第五季我们这一家上一当喜剧的阴谋格拉夫斯第二季范马刃牙第二季薰衣草的香新百战天龙第四季犯罪大师“炼”爱Goodbye 以谎言开端的人生喜剧龙在江湖（粤语版）绝不放过你警察故事4：简单任务粤语让我来告诉你逃灵噬影丧门神鲍旭