剧照
剧情介绍
拉莉萨电影免费高清在线观看全集。
A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first: accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.陌陌影视陌陌影视樱花影院6080影院满月危机武法律师爱有来世爱无痕欲望升级海滨别墅还有诗和远方·不止西湖废柴兄弟 第四季巨型漏洞只是室友异星怪兽之荒野求生一双血手炙热游戏：百厨大战权欲第三章第一季那年那兔那些事儿第四季探险家：罗伯·巴拉德宋宫秘史白线流恋爱与友情之间 Special她选择了安乐死谍之屋小小世界第二季天才玩偶 日语版游戏结束横财就手恰礼乐少年我和弟媳不得不说的故事
A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first: accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.陌陌影视陌陌影视樱花影院6080影院满月危机武法律师爱有来世爱无痕欲望升级海滨别墅还有诗和远方·不止西湖废柴兄弟 第四季巨型漏洞只是室友异星怪兽之荒野求生一双血手炙热游戏：百厨大战权欲第三章第一季那年那兔那些事儿第四季探险家：罗伯·巴拉德宋宫秘史白线流恋爱与友情之间 Special她选择了安乐死谍之屋小小世界第二季天才玩偶 日语版游戏结束横财就手恰礼乐少年我和弟媳不得不说的故事
7。拉丽莎 依莱姆
“我电影中的一切，每一个镜头，都是我作为一名女性拍摄的。我从不一味模仿他人，更不会努力去模仿男性，因为我很清楚，我的女性友人和同道们，无论老少，任何模仿男性电影的尝试，都是没有意义的，因为这是衍生品。我能一下子区分出太太电影和男性电影，因为我们没有女性电影和男性电影，只有太太电影和男性电影。太太们多愁善感的针线活，男人们也能做得很好。然而作为人类的半边天，女性能够像全世界宣示、告知许多惊人的东西。没有一个男性能像女性那样，如此直观地悟出人的内心和大自然中的某些现象。”？？知道这个名字这么久以来一直以为是“拉萨莉”，每次都先打“拉萨”两个字再单独打“莉”字
可惜可惜~
深情
克里莫夫纪念舍皮琴科
丈夫纪念妻子，导演纪念另一名导演，太感动了。
1、这是电影导演拉莉萨舍皮琴科遭遇车祸罹难后，丈夫，也是大导演的克里莫夫为她拍的纪念短片。悼亡妻，遣悲怀。2、字幕翻译，昧拾金公爵。真赞。
前苏联导演依莱姆·克里莫夫为因故早逝的妻子——前苏联女导演拉莉萨·舍皮琴科拍摄的纪录短片，有的人将在艺术中永生。“如果你的生命被用来关怀另一个人，那你就已证明了自己的存在。”
豆瓣应该改成十星制，就不用纠结给四星还是五星
一个有良知有道德对生命与生活充满爱的人
克裡莫夫需要多大勇氣和愛才能製作這部紀錄片。對於我來說，實在震撼不已。
依莱姆·克里莫夫❤拉丽莎·舍皮琴科
一个热爱电影赞扬俄罗斯导演拉丽莎Shepitko，死在车祸中不幸于1979年在40岁。这由她的丈夫，ELEM克里莫夫，纪录片包括来自Shepitko的所有影片片段，她听到自己的声音对她的生活和艺术的讨论。
十年生死两茫茫，不思量，自难忘。千里孤坟，无处话凄凉。纵使相逢应不识，尘满面，鬓如霜。
20min版，毛子展预热- -
是作者对另一位作者创作态度的赞扬，是上升到品质和影像意义的解释。生命走了，生命也留下了。2021-05-11重看。克里莫夫对拉莉萨深沉的爱啊，全都流淌在电影中了。
成功被安利这样一位导演，强烈的女性意识，女性比男性洞察到的更多，作为人类起源的一半，为什么要去模仿追崇那些男人拍的电影呢，应该自信自己作为女性的表达
猜对了，思想不行。……转转回来我好像还是要给你骂一下……算是个女性视野的小山了。照片笑那一下真好。这张脸，喜欢。《告别》短评字不够了补这里：这是我认为那部电影最重要的地方。那个年轻女人丢了，所以她可以是一切，可以是女性可以是土地可以是洪水树木和天空。有些事情短暂属于记忆。要用。真他妈的绝美。而且是很平静的那种。
《上升》。
43岁的拉斯普京出镜。17分：“如果你的生命被用来关怀另一个人，那你就已证明了自己的存在。这见证了人的精神生命。如果你能为别人生活，对人人都神圣的东西是有的，有关善恶和道德的永恒的品质是有的，就比如热爱故土。这都是什么？我们为了什么生在这世界上？我们为世界贡献了什么？我们用什么改善了生活？是您的潜能。”18分“信仰那无限延续者，它的名字就是：生命。”